| The Fire Baby | 
enlarge | Author: Jim Kelly Publisher: Leisure Books Category: Book
List Price: $7.99 Buy New: $3.00 You Save: $4.99 (62%)
New (24) Used (11) from $1.79
Avg. Customer Rating: 6 reviews Sales Rank: 617071
Media: Mass Market Paperback Number Of Items: 1 Pages: 291 Shipping Weight (lbs): 0.3 Dimensions (in): 6.6 x 4.1 x 1
ISBN: 0843960019 Dewey Decimal Number: 823.92 EAN: 9780843960013 ASIN: 0843960019
Publication Date: May 27, 2008 Availability: Usually ships in 1-2 business days Condition: BRAND NEW FAST SHIPPING, CHECK MY FEEDBACKS FOR QUICK DELIVERY
|
| Also Available In:
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com Review What's not to like about a crime novel that incorporates the illegal smuggling of immigrants, trafficking in low-grade porn, suggestions of incest, a deathbed confession, an airplane disaster, and crucial clues supplied by a coma patient? All of that, plus threats directed against the journalist determined to get to the bottom of this sordid nightmare. Returning to England's Cambridgeshire Fens district, the setting for his debut novel, The Water Clock, Jim Kelly introduces us, in The Fire Baby, to Maggie Beck, who as a teenager in 1976 was one of only two survivors of a U.S. Air Force transporter crash outside the small town of Ely. Her farmer parents and her 13-day-old son on the ground were among the dozen people killed, while the other person left alive was Lyndon Koskinski, the newborn child of an American flyer from Texas, whom Maggie carried out of the flames. At least, that's how the tale was reported. But now, as Maggie Beck lies dying of cancer in an Ely hospital room, she's tape-recording a different story for her teacher daughter, Estelle, 25, and Koskinski, now a 27-year-old Air Force pilot come for one last visit with the woman who'd saved him so long ago--a story that will change minds and hearts, alike. On hand to watch this developing crisis is Philip Dryden, the cowardly and guilt-plagued newspaperman from Clock, whose former soap star wife, Laura--comatose ever since a car accident four years before--is Maggie's roommate. But Dryden also has his hands full inquiring about a missing barmaid, the scandalous use of World War II-era military sites, and the often cruel importation of foreign laborers. When these investigative threads start tangling about him, Dryden will need all the help he can get, not only from his unsociable driver, "Humph" Holt ("the only cabbie in Britain with a two-door taxi: a triumph of indifference over reality"), but from Laura, whose rudimentary efforts at communication may offer the solution to more than one puzzle. It's no small accomplishment that Kelly keeps his myriad subplots straight, and drives them all toward a logical collision at The Fire Baby's climax. The visceral torments faced by several characters are credible, and though there's a twist of undue convenience at book's end, the shattering of lives and loves, and the tragic consequences of too many secrets kept are all skillfully handled. Kelly leaves readers with high expectations for his third elemental mystery. --J. Kingston Pierce
Product Description Summer, 1976. A plane crashes on a farm in the Cambridgeshire fens. Out of the flames walks young Maggie Beck, clutching a baby in her arms. Twenty-seven years later, investigative journalist Philip Dryden - visiting his wife, Laura, in hospital - is witness to Maggie's deathbed confession. But some secrets are best kept secret, and what started out for Dryden as a small and curious story about the only survivor of an almost-forgotten plane crash soon escalates into a full-blown murder investigation. And while Dryden is wondering what other secrets Maggie carried, his semi-conscious wife is trying to tell him something that might just save his life...
|
| Customer Reviews: Read 1 more reviews...
The Fire Baby August 29, 2008 Philip Dryden, described one of Fleet Street's sharpest reporters for over a decade, is now working as chief reporter for The Crow, a small local paper, so as to allow him the time he needs to be at his wife's bedside. They had been in a terrible car accident which had caused their auto to plunge into 20 feet of water. She has for four years been in a special facility for those suffering from Locked In Syndrome, a condition where the victim "appeared to be in a deep coma but could, at times, be entirely conscious despite their lack of movement." His wife, who had been a British soap opera star, has only lately shown some signs of awareness. Philip suffers from survivor's guilt, having been rescued from the water but forced to leave Laura for what turned out to be three hours while he went for necessary help.
The novel begins with an horrific plane accident in England's Cambridgeshire Fens which occurred 27 years earlier, one which claimed many lives, including all passengers and crew with the exception of a 15-day-old baby, and the family into whose home the plane crashed: a woman, her husband and their infant grandson, Maggie, the baby's mother, having survived purely by chance after she had gone into the basement to retrieve a celebratory bottle of champagne.
The author brings these survivors together when Maggie, whom Philip had known since childhood, and Laura, Philip's wife, are hospital roommates as Maggie lies near death. Desperate to see her daughter before she dies, she extracts a promise from Philip to find her. She has been on holiday and is unaware of Maggie's turn for the worse. The daughter and her male companion, a "friend of the family," arrive at the hospital not a moment too soon. But before that occurs, Maggie has made a shocking deathbed confession which has a profound effect on Philip and the stories he is covering, dealing with porn merchants and illegal immigrant smuggling, not to mention those involved in Maggie's life over the past three decades.
The time jumps are at times a bit confusing, but is perhaps essential to the unfolding of this psychological mystery spun by the author. It is always interesting and unfailingly holds the reader's attention.
Past decisions haunt the present June 4, 2008 First Sentence: East of Ely, above the bone-dry peatfields, a great red dust storm drifts across the moon, throwing an amber shadow on the old cathedral.
It starts with a plane crash resulting in a house fire. One baby dies and another survives.
It progresses to a dying woman, a comatose wife providing occasional clues, includes smuggling of illegal immigrants, pornography, and a WWII bunker.
It all combines into a mystery reporter Philip Dryden feels compelled to solve.
I have rapidly become a fan of Kelly's writing. It takes a touch of work to follow him through the maze of plots and subplots he creates, but it's a very enjoyable journey.
I am thoroughly fascinated with his three main characters; Dryden, the journalist and husband; Laura, his comatose wife; and Humph, Dryden's driver who has a ready supply of airplane-sized liquor bottles and listens to foreign language tapes.
What I most appreciate is the way Kelly takes all the threads of his story and brings you to a dramatic and satisfying place at the end. I am definitely looking forward to continuing with this author.
The mysterious key June 22, 2006 0 out of 1 found this review helpful
A interesting coincidence occurred the other day. I picked up two seemingly unrelated books at the library and upon reading them I discovered that they shared a "key" plot feature: in each book the protagonist is trying to find the lock that fits a key that has been given by a (dead or incapacitated) family member!
I enjoyed this book quite a bit. Jim Kelly has a wonderful way with words. The story is somewhat sensational and hard-boiled, but what do you expect from a murder mystery?
The other book was "Extremely Loud and Incredibly Close", which I do not recommend.
Comatose wife helps with deathbed mystery April 5, 2005 5 out of 6 found this review helpful
A comatose wife as assistant crime solver? It sounds like the ultimate gimmick, but in British author Kelly's skillful hands Laura Dryden's sporadic struggles to communicate are integral to the genesis and development of this quirky, unusual series.
A former soap opera star, Laura was left in a coma after a car accident on the Cambridgeshire Fens four years earlier. Her husband Philip left his high-powered Fleet Street job to become star reporter for the local weekly and sit by her hospital bed.
This second outing (after "The Water Clock") finds Philip at his wife's bedside on a summer day. "The figure on the bed didn't move. Its immobility was a constant in his life, like the heat of that summer, and equally oppressive." Sharing his wife's room is a local woman, Maggie Beck, who, back in 1977, recovering from the death of her parents and son, had helped Philip's newly widowed mother.
Maggie's parents and baby had been killed by the crash of a US military plane. Ironically, Maggie had rescued an American infant thrown free of the wreckage. Now dying, Maggie needs Philip's help to share a deathbed secret.
Meanwhile, as Philip attempts to track down Maggie's daughter and her American traveling companion, a man is dying of thirst, tethered in a concrete bunker, a glass of water left just beyond his reach. And a young barmaid disappears after being drugged and raped, also in a bunker, according to the pornographic photographs of her making the rounds. And a group of illegal African immigrants suffer the summer's hellish heat in the back of a locked truck container.
While Kelly tracks these story lines from various points of view, it's up to Philip to follow the leads and discover each victim's fate, with a bit of help from friends like a bird-watching police detective and an alcoholic American major, both hanging on for retirement. Then there's Humph, Philip's silent, misanthropic driver, and Laura, tapping out an occasional cryptic message between reams of gibberish.
Kelly seems equally at home with heart-shattering pain and dark, nimble humor. Philip is cynical, kind, heart sore and responsible. Prone to private self-criticisms, his bravest acts are motivated by the fear of being discovered a coward. Kelly's writing is wry and evocative and full of sharp insights and humane sensitivity. Atmospheric and insightful, this is a standout series.
Portsmouth Herald, March 13
Compelling and mysterious Fens March 4, 2005 3 out of 3 found this review helpful
England's Fen country has always seemed compelling and mysterious to me ... which is why I picked up Jim Kelly's first mystery THE WATER CLOCK. The protagonist, reporter Philip Dryden, was also so compelling that I went right to Kelly's second mystery, THE FIRE BABY. Once again, Kelly weaves a story involving disparate characters acting and reacting badly over decades into a satisfying mystery.
|
|
|